Video editing & post-production

Raw footage in.
Finished video out.

I edit reels, podcasts, and travel videos for clients in the US, UAE, and South Africa. Any format, any volume — from a single audio track to 300–400 GB of raw footage.

Work that speaks for itself.

01 / 04

Short-form

Expert reels

California, USA

Input & brief

Talking-head footage
Goal: reels that hold attention

Delivered

Hook in the first 3 seconds
Colour grade and audio clean-up
Captions and text overlays
B-roll inserts

02 / 04

Multi-cam

UAE real estate podcast

Dubai, UAE

Input & brief

4 cameras, 5 audio tracks
1.5–2 hours of raw recording
Weekly release

Delivered

Multi-cam sync and edit
Colour grade, lower thirds
Location b-roll
Audio clean-up and leveling

03 / 04

Travel

Travel & review videos

South Africa

Input & brief

250 GB, 2 cameras
Hotel and restaurant shoots
Target: ~60 min of final content

Delivered

Colour grade, graphics, transitions
B&W and viewfinder frame for emphasis
Info overlays, meme inserts, sound

04 / 04

AI video

Video with no footage

Audio track and brief only

Input & brief

Audio track and visual brief
Zero real footage

Delivered

AI image generation for every moment
Turning still images into video
Sound design and element animation

Clear rates. No surprises.

Reels

$49/ reel

Includes

1 business day turnaround
Up to 1 min
Hook-first edit
Colour grade
Audio clean-up
Captions & text overlays
B-roll inserts

Podcast

~$299

Includes

2 business days turnaround
25–30 min final episode
Rough cut + final cut
Multi-cam sync (4 cameras)
Audio mix (5 tracks)
Colour grade
Lower thirds & b-roll

Travel video

~$499

Includes

3 business days turnaround
25–30 min final video
Rough cut + final cut
Multi-cam edit (2 cameras)
Colour grade
Graphics & info overlays
Sound design

AI video

No footage needed. Built entirely from brief and audio.

$49+

Includes

From 1 business day turnaround
AI image generation to brief
Frame-by-frame animation
Sound design
Element animation

All prices in USD · Exact quote provided after reviewing your project

You shoot.
I make it work.

I got into editing by accident — I was looking for a remote profession, and video production caught my attention. Gradually I started noticing things: how one shot flows into the next, how music shifts the feeling of a scene, how colour sets a mood before the viewer registers anything. Now what interests me is making the editing invisible — when a cut lands at exactly the right moment, the viewer just watches, without wondering why it feels good. I study design and composition and bring those ideas into every edit.